An American Carol -- the Movie

Hollywood Takes on the Left
David Zucker, the director who brought us 'Airplane!' and 'The Naked Gun,' turns his sights on anti-Americanism.
by Stephen F. Hayes
08/11/2008, Weekly Standard, Volume 013, Issue 45

An American Carol is based loosely--very loosely--on A Christmas Carol by Charles Dickens.

[David] Zucker's latest movie, An American Carol, is unlike anything that has ever come out of Hollywood. It is a frontal attack on the excesses of the American left from several prominent members of a growing class of Hollywood conservatives. Until now, conservatives in Hollywood have always been too few and too worried about a backlash to do anything serious to challenge the left-wing status quo.

The holiday in An American Carol is not Christmas and the antagonist is not Ebenezer Scrooge. Instead, the film follows the exploits of a slovenly, anti-American filmmaker named Michael Malone, who has joined with a left-wing activist group (Moovealong.org) to ban the Fourth of July. Along the way, Malone is visited by the ghosts of three American heroes--George Washington, George S. Patton, and John F. Kennedy--who try to convince him he's got it all wrong. When terrorists from Afghanistan realize that they need to recruit more operatives to make up for the ever-diminishing supply of suicide bombers, they begin a search for just the right person to help produce a new propaganda video. "This will not be hard to find in Hollywood," says one. "They all hate America." When they settle on Malone, who is in need of work after his last film (Die You American Pigs) bombed at the box office, he unwittingly helps them with their plans to launch another attack on American soil.

The entire film is an extended rebuttal to the vacuous antiwar slogan that "War Is Not the Answer." Zucker's response, in effect: "It Depends on the Question."